Saturday, March 5, 2011

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Friday, March 4, 2011

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Cup Algeria (1/16th of Finale): Results of meetings

Results of 1/16th of final meeting of the Algeria Cup football (seniors) played Friday: USM Ain Beida

-U.S. Biskra ( unplayed - road impassable)
MC Saida 1-0 USM Bel Abbes
-ES Mostaganem 0-1 JS Kabylie
Hennaya CRB-ES Berrouaghia 1-1 (CRBH qualified to tab 4-3)
ASM Oran MC Oran 0 -1
Ghriss ARB-Souf N.Tadamoun CA Batna 0-1
- Hydra CAP 0-0 (CAB qualified to tab 5-4)
MC El-Arba-RC Eulma 2-0 USM Harrach
NARB Réghaia-2 - 1 a.prolongations
MO Bejaia-US Tebessa 1-0
Robah BRI-CR Belouizdad 1-1 (CRB qualified to tab 7-6)
AB-Merouane U.S. Chaouia 0-0 (ABM qualified to tab 6-5)



At 18:00: A
Chlef: ASO Chlef-CABB Arreridj
In Setif: ES Setif-NA Hussein Dey

Saturday, March 5: (15:00) A
Ouargla (OPOW): MC-MC Algiers Mekhadma
A Bejaia (OPOW): JSM Bejaia-USM Blida.

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Ivan has been released!






Lu on Indymedia Paris on and Indymedia Nantes March 4, 2011.


[Memo: on his arrest and incarceration ]
__________________________________



Ivan was released Thursday, March 3 after three weeks of detention. He was placed under judicial supervision (not to leave the country, to make contact with others indicted, duty to point once a month Commission and to attend the appointments of QSBCS, an agency of social control reporting to the judges of the activity of the gallows). He was arrested Feb. 7 in Paris.

In March 2009 he had escaped the notice of the court to escape a warrant issued for violation of judicial review.
He was first arrested in January 2008 when he was in possession of a craft smoke and nails and twisted his way to a demonstration outside the detention center in Vincennes. He had then 4 and half months of detention remand.

For more info on this case:

File Bad Intentions


Freedom for all! Solidarity is a weapon!




Thursday, March 3, 2011

Out Of Province Inspection

Tarnac in Tunis for a tomb Minister







Tribune published in Gerard Coupat Liberation March 2, 2011.


___________________________________



Dear Michele, Yvette Marie-Therese Alliot-Marie
What happens to you is unfair. Nothing is worse than falling for a foul that one can not recognize. For what have you done else in this tour of Tunisia, that have always been what all your classmates? And if it makes you expiate the shame this time too visible foreign policy of France, what will we do with your past infamy, so much more noticeable?
I was born the same year you, in Algeria, a military father and worker. I like a good idea, I think that was the Gaullist after 1945. From there I was repatriated in the Southwest. Could not be ignored while in the Southwest, what the clan Mary. Then, like so many others in my generation, once off the breath emancipator of 68, I made my career without worrying about politics, leaving it, stupidly, to people like you. I say "stupidly" because Tarnac with the case, I finally admitted that if you do not worry about policy, politics, her take care of you. Finally, the sociology alone is not sufficient to explain my ultimate bad luck to live in Rueil-Malmaison, barony which your companion Ollier inherited the hands of Jacques Baumel, "Gaullist history." It says to place "where I speak," as it was in 68.
You now blame your compromise with a dictator of Tunisia. What dishonesty! Which African dictator or Maghreb has not been one day or another, provide the services of France? Who can claim ignorance of the historical collusion between the French and nearly all autocracies wormy from the colonial empire? It is believed that Claude Gueant associates have more honorable than you? And who can ignore that for fifty years, money from arms sales or the Dassault uses various ways to finance the Gaullist networks? The existence of Mr. Foccart is still not a recent discovery. And if Charles Pasqua smile today, why should you hate, if not under a dark misogyny?
If you sacrifice it in a way to save the great blindness of French post-war blindness about the nature of Gaullism. Gaullism was a curious synthesis of Maurras and Machiavelli, and nothing else. Who were the "historical Gaullists? People who applied in time of "peace" covert techniques, illegalities they had learned in the Resistance. Veterans of the hood. Activists orphans of the action. Of Petain Vichy disappointed but still fond of great men. Passionate about the conspiracy. In 1959, when the brothers Bromberger write the 13 plots on 13 May, they are ultimately heroic that De Gaulle took power and founded the Fifth Republic e in favor of a genuine coup. The coup of May 13, is the title of a book of Colonel Trinquier bitter.
In the 1940s, Jacques Baumel busy finance the Rally of French People (RPF). The stewards of the RPF, mainly composed of militarized thugs, is the ancestor of civic service (SAC). SAC killers were always alongside your grandad when he was campaigning in Biarritz for legislative or municipal elections. Your companion Ollier Baumel succeeded as mayor of Rueil-Malmaison. About you, you honor the heirs of the SAC, which became the Freedom Movement initiative (MIL), your participation in their conventions. The circle is complete. In February 2009, you were making a speech entitled "French and always be proud of."
When I read it, I seem to hear Raymond Marcellin. As it asked the SAC after 68, to help break the leftist, you ask the MIL "create from the public rejection of these groups" order "isolate and fight against those who attack the state " because "we are at a time when the ultra-left would undermine the authority and state power." In line hallucinated Raymond Marcellin, which supported the right-wing factions to recruit thugs, you have taken as a spokesman of the Ministry of Interior of an old West, Gerard Gachet, which is was conveniently destroy the plug RG. They are far from uncommon for the elders of these factions in the current majority. Similarly, for three years to deal with terrorism threw me a half-century back to Algeria, where terrorism meant the Red Hand these thugs who blew up bombs to cause the casbah "Muslims".
I wanted to tell you I find it particularly unfair that you make this complaint to lie, because lying, since I'm listening, you never stopped doing. You went to the radio report, the case turned, you never treated people Tarnac of "terrorists" , it was an invention of journalists. It is true that you were the Minister of Interior when you have been arrested by counterterrorism police.
In the Assembly, you responded to a member of vivid terms, regretting "abjection trying to use my parents for you to take me and attack me politically." I share your emotion, I who have been used in every possible way to attack my son and political attacks. To find what is indecent to see "spend his life, both public and private, comb end " as you're complaint recently, we who are tapped for three years and who were able to feel directional microphones of the DCRI as their spinning techniques, we agree: it's very unpleasant. It would also be happy to stop. Public money is certainly better uses.
To be honest, seeing all these old dictators fall, and you see the track in their fall, I just hope that you are not the only one to disappear. We are tired of seeing the past forty years the same faces and names play the same game chairs Music at the head of state while the social suffering is growing year by year. By attacking people Tarnac, you made me desirable that the insurgency coming, you offered me a real political consciousness. You can be thanked. Now I know the difference between men or women, power and what Hannah Arendt called a "political life".





Wednesday, March 2, 2011

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Video: Doubled Abdelmalek Ziaya 02-03-2011

Abdelmalek Ziaya has struck again. Indeed, after imarqué have a very nice league goal against Al Ahly Jeddah, Al Ittihad striker has scored twice again important for his team tonight in Asian Champions League. Party at the limit of offside, the Algerian who has fully inspected the skin of the chest went crucify the doorman of Persepolis at the price of a nice flat run right foot. Ziaya came back a second time in this match to achieve a nice offensive movement of Al Ittihad and signing a one-two magnificent he dedicated to his ailing father and to whom he wished a speedy recovery.



Moumen A.
lebuteur.com
02-03-2011

Tuesday, March 1, 2011

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Architecture, history and civilization









INTRODUCTION

These approaches to understand the design of architectural space according to the vision of those who have left evidence of architecture, through the history of mankind. This, according to two approaches: the traditional and the modern.

architecture Once understood, it should go back in history to explore and identify its origins in his footsteps. Again, we see that the traditional approach to understanding the history is different from the modern.

For the modern approach, the actual historical period dates back to 6th century BCE. Well beyond this "historic barrier" to the dawn of humanity, Ibn Khaldun offers nomadism and sedentary . For him, physical inactivity is the cause of urbanization.

monuments and architectural sites and urban planning are not always to the glory of mankind, they are often the work of kings systems and "deified" tyrannies sacred generally opposed to the prophets and thinkers of the time.

is a historical phenomenon found in most periods from prehistory to the Renaissance . In many civilizations, religious monument is also a building where utility confuse relative and absolute terms.

The architecture is a reflection of civilization, which leads us to determine the notion of civilization .


I - UNDERSTANDING ARCHITECTURE

It is obvious to say that there is no single definition of architecture. However, the traditional approach has a collective and communal. While the modern approach presents a multitude proposed by architects.

1 - Some definitions of architecture

There is no objective view of things in art in which each artist captures the shape and color according to his temperament. For architecture, this finding illustrates the side subjective work. The architect, by his conduct affects various fields.

design "modern" allows multiple definitions, but specific to each architect.

Bruno Taut, upon exposure to unknown architects in Berlin in 1919 says: "Architecture means to us: the invention of pleasing shapes useful for construction ..."

For Le Corbusier: "Architecture is, with raw materials, establish emotional relationships ... The Passion is a drama of inanimate things."

Ricardo PORRO: "Architecture is the creation of a poetic action man."

GROPIUS wrote in 1919: "What is architecture? It is the expression of crystal noblest thoughts of man, his intimate aspirations, his humanity, his faith , religion ... "

Hölderlin says "poetry is to transmute the world in words." In architecture, it is to transmute the world we live in architectural space.

To Regarding the Muslim world, Islamic architecture - Al Bouniane - is designing a framework that respects the strict doctrinal guidance for the action of man and his community. Only it is necessary to address the notion of Al Omran which determines the overall framework for the design of Al Bouniane which is one of its main components.

Al Bouniane can be defined as: "action to produce a space that is likely to facilitate and enable social practice according to legal guidelines and worship. This is a case where the meaning is consistent with the aspirations of men and their space needs as part of a doctrinal vision.

2 - space in architecture, form and content

The interpreter basic architecture is the space. The space changes when its components change. The form of architecture is space.

The form and content are inseparable. The form is part of the The work of art and sensitive content, is that the design expresses the shape. It is in the form that carries the content. They form a totality.

3 - Five aspects of the content

a. The immediate content

The contents are now in a building where its program, its functionality expressed in the form, it is "immediate" because it is closest to the content, the easiest to capture.

b. Tradition

Some deviations of language reflect a kind of degeneration of corresponding ideas. The name "tradition" does not correspond to what is purely human. To truly revitalize Tradition must contact the traditional spirit of "living" remains always dynamic.

Tradition is the soul of civilization. This is the leitmotif par excellence for universal knowledge like the principles themselves.

When we talk of tradition in architecture, we are not talking about folklore: he is one of the largest of its contents. The tradition goes away when the local culture weakens and ceases to refer to them.

It does not necessarily remain static: it provides, as it has always done, saving elements that should become the seeds of the future world. That authenticity dynamic looming on the horizon of our immediate future.

c. Persuasion

The "persuasion" is when the architecture tries to convince the spectator-witness of any action.

Another form of persuasion exists when attempting architecture, using all the expressive means to convince the witness to any idea.

d. The superimposed image

architecture can play with abstract or concrete representations. There are two possible forms of superimposed images of architecture: the symbol and the figurative image.

symbol

symbol in art is the effort of the artist to find a representation of something that is abstract. For example, the number 4 attached to the square and cube, suggests the idea of universality.

For it is true, the symbol must be an absolute logic. A symbol can mean many things at once and perform several reading levels: by their very structure, the symbols are polyvalent. Is its range of meanings that shape the message of the symbol.

Having great importance in all ancient civilizations, the point-center is at the root of all Islamic art and Bouniane al.

The figurative image

The figuration recalls directly in form something concrete. The figurative image for a goal of enhancing media content.

e. Media content

media content would be in architectural work, expression of the historic moment when it happens. None of the three aspects of the content in the architecture is a condition for its existence, the only ones who would be a sine qua non is the tradition and media content.

A work architecture seeks to become a powerful image of a collective experience, a significant expression of this idea. It becomes a true work of art a witness to the "extreme situation" of those who conceived: contemporaneity.

The dynamism, the expression of technology and vitalism , as themes of this, have continuity.

Since the industrial revolution a general line appears: the disappearance of any principled purpose and the amount of development resources.

Dynamism

is the triumph of a sedentary lifestyle where time, transformed into matter, is quantified and is at the service industry. It is an accentuated design and exclusive inactivity.

Two aspects of dynamism expressed since the 19th century in the West: the exact framework for the movement of witness / spectator and the expression of movement, but freed from the viewer. This framework is used where time is the adaptation of man to machine and its adherence to industry.

expression technology

Since the expression of machine or technology, this theme is changing too, may be involved in dynamic or 3rd theme below.

Vitalism

This theme is the human tendency to assert itself as a living being.

artistic movements develop in reaction against the machine, along with current "scientific" which looks at the life and efforts in psychology: can we materialize the immaterial (soul) by psychoanalysis ?

Lines expressive media content often intermingle and it is sometimes difficult to define the limits of each .

(To be continued)

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From the Renaissance to the industrial era

INTRODUCTION

Since 1750, the revolution i ndustrial is present in England and in mind in France where the thought of the Enlightenment rationalist paves the way for the advent of the machine.

It is customary to call the split between the Middle Ages and modern times Renaissance and Reformation . Renaissance and the Reformation are mostly fractures resulting antecedent history of the West (times of Constantine and the Church's role in the Middle Ages).

The Western world has inherited from previous civilizations. Precursor of the present world situation, it will provide humanity of its factors of modern civilization and reflection resulting in architectural and urban space.

Some reasons rooted in the West have led modern man to perceive science as being opposed to religion. J. Hexclay in his book "Man in the contemporary world" expresses this competition and enmity.

This kind of civilization has separated two natural tendencies rooted, complementary and providing mutual assistance to one another: the tendency of devotion and of knowledge . The man finds himself torn between these two natural and innate tendencies and needs upon them, thereby depriving him of one he aspires to another.

I - THE RENAISSANCE

1 - The break with the tradition of the Middle Ages

The real starting point of modernism is the beginning of the disintegration of the "Christianity" and feudalism. This is the beginning of the formation of nationalities and colonialism.

Renaissance is an outcome made possible by the decay prior to consumption the final break with the traditional spirit in the field of arts and sciences and also in religion.

characteristics of philosophy and science are new :

  • denial of revelation;
  • the divorce of science and faith;
  • empirical study and record of facts;
  • disperse in an indefinite multitude of details;
  • accumulation of unfounded assumptions;
  • fragmentary views leading to practical applications.

2 - Correction history

aspects of the contribution to the development of other civilizations Science and culture in general show the need to change a deeply distorted historical perspective and has made the Middle Ages a parenthesis between the Greco-Roman culture and that of the Renaissance .

The influence of Muslim civilization exerted on the West through translations into Latin Muslim works, held in Toledo and Sicily, to send to universities in the West .

3 - The popularization of knowledge

teaching the faith and unity of nature is no longer the basis of knowledge. European universities are all created with two or three centuries of shifting.

The basic inspiration of traditional science is a concept of knowledge which is not the science of archeology "modern".

4 - Humanism

The HUMANISM of Renaissance reduces all knowledge to merely human proportions, and excluded any principles of higher order. Humanism is an early form of what will become the contemporary secularism.

Descartes's work remains the nature of his own life. Animals are for Descartes than machines. For his heir TO THE , man in turn becomes a machine. DARWIN, in his "Descent of Man", will integrate the system of human nature, product, like all other animal species, natural selection.

In view of "modernity " Western ways have become an end. "Science" that is to say an organization means, separated from a meditation on the ends, it becomes even a purpose.

II - THE ARCHITECTURE OF THE RENAISSANCE

The opposition that exists today between the ancient crafts and modern industry is an application of two points of qualitative and quantitative respectively dominant in some and in the other.

1 - Mutation trades

The trades included in the Middle Ages in Western art and nature were truly qualitative. The modern in their concept of art, qualify, and stripped of all practical, activity luxury.

In any civilization traditional sciences, arts and crafts are a ritual character. Since the Renaissance , architecture was cut off from the important issues of his time.

During the preindustrial situation met the architect alone all the skills, but must now take account of the division of tasks and specializations established techniques in the modern world.

2 - Role of the Architect

is the birth of the profession, the architect of the Renaissance is part of the intellectual elite . The most important aspect of the changing role of the architect is the emergence of this division of labor and intellectual equipment which is a sign of modern times.

The architect of the Renaissance was responsible for realizing the power in the city by designing a new spatial model. It is the ideologue of power. It is primarily a theoretician.

3 - theorists and architects architectural space

For men of the early Renaissance, the space exists as an objective reality outside of human activity.

The construction of the geometric space with architecture was developed in three phases:

  • First, by designing buildings to abstract geometries;
  • then, by linking the buildings together according to geometrical rules;
  • finally, the management of urban space.

In this context of enthusiasm about new scientific discoveries are denied everything that is irrational, "which could be left to the arbitrary". Architects design entire cities, pure expressions of their performance space.

4 - architecture of the 17th and 18th century

In individual nations in training, the role of the architect depended on the different religious authorities, or feudal princely / royal and relations. Traditional models are being transformed into national models. The architecture of the 17th and 18th century Europe, the Baroque architecture.

Baroque architecture, is a plural phenomenon whose boundaries are on one side Renaissance, the other neo-classicism which began to appear in the second half of the 18th century.

5 - The Baroque in Italy

In Italy, the Baroque space can be understood only in reference to the ongoing consolidation of the theorists of the Renaissance architectural vocabulary.

Being born in Italy, the Baroque space has its origin in the works of masters of the Renaissance .

There were processing the command at a command strictly religious or politico-religious policy. Architects take the urban space itself as a raw material of work.

Baroque architects have gradually removed all existing architectural elements of the code.

Used for themselves, the forms became isolated and used to formally thank you after the novelty of the architect. This is the beginning of formalism in architecture, the notion of aesthetic dates from this period. The Baroque architects have destroyed the spatial structure in general.

In the Rococo period, the space is more amorphous than background on which we expose a jumble of objects. The emphasis on the form of pictorial or sculptural objects. Neo-classicism is not far.

6 - From the Renaissance to 1750 in France

The spatial coherence and geometric Italian Renaissance has crossed the Alps than two centuries later.

The space that has really changed under the influence of political power.

The new king's power is reflected at the city by the appearance of a new type:

  • Place Royale , at the countries through the development of new towns;
  • and colonial architecture, at continents.


CONCLUSION

Since what we call the Renaissance , human history is no longer only a portion 'itself, the West, ignoring any component and standardizing non-Western.

Three concepts emerge:

  • design of nature, considered as our "property" which we would have the right "to use and abuse";
  • design human relations based on individualism;
  • design the future, which is merely the continuation and growth of this quantity.

architecture which is a phenomenon due to both coordination and synthesis, is dissociated into its elements as a result of upheavals in the second half of the 18th century.

In 1750 we can see form among some architects, first the idea, some operations and then finally some characteristics of modern architectural space.

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